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<a href="www.homeofmetal.com" rel="noopener noreferrer" target="_blank">Home of Metal</a> presents 'At The Mermaid'. The Mermaid was a large, dilapidated pub in Sparkhill, a working-class neighbourhood three miles south of Birmingham city centre. The laid-back landlords welcomed teenage punks, hippies and rockers to play weirdo music in the upstairs room, charging very little money for very bad cider. The Mermaid became a hub of DIY music scene in the 1980s, with £1 gigs, punk all-dayers, 'zine and tape swapping. It was also a site of political education for many, and hunt saboteurs gathered at the Mermaid before taking direct action.</p>&nbsp;</p>In creating this podcast, we interviewed people who were part of the Mermaid scene, featuring contributions from Justin Broadrick (Napalm Death, Godflesh, Final), Nicholas Bullen (Napalm Death), Stig C Miller (Amebix), Steve Charlesworth (Heresy), Steve Watson (Cerebral Fix), Mark Freeth (Ausgang) and more musicians and fans who made the Mermaid a vital place for underground music.</p>&nbsp;</p>Music heritage is all about the stories we tell around these little scenes, shining a torch on underground histories that could otherwise be forgotten in a haze of scrumpy and mushrooms.</p><br>Created by <a href="https://homeofmetal.com/" rel="noopener noreferrer" target="_blank">Home of Metal</a>, presented by Sarah Lafford, produced by <a href="https://twitter.com/alicerosy" rel="noopener noreferrer" target="_blank">Alice Rosenthal</a>.</p><br /><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>
Our final episode looks at the lasting impact of The Mermaid, and its effects on people's lives. What it meant to be an outsider, and the power to be gained from finding your people. To create this podcast, we interviewed people who were part of the Mermaid scene, including Justin Broadrick (Napalm Death, Godflesh, Final), Nicholas Bullen (Napalm Death), Stig C. Miller (Amebix), Steve Charlesworth (Heresy), Steve Watson (Cerebral Fix), Mark Freeth (Ausgang) and more musicians and fans who made the Mermaid a vital place for underground music.
Music heritage is all about the stories we tell around these little scenes, shining a torch on underground histories that could otherwise be forgotten in a haze of scrumpy and mushrooms.
Created by Home of Metal, presented by Sarah Lafford, produced by Alice Rosenthal.
Hosted on Acast. See acast.com/privacy for more information.
In this episode we hear about the iconic gigs at The Mermaid - it's seen by many as the birthplace of grindcore - and there was lots of other noise being made in this pub in Sparkhill too. Napalm Death were regulars on the stage, but, it seems, they weren't responsible for the loudest gig ever to be played on that corner of the Stratford Road... To create this podcast, we interviewed people who were part of the Mermaid scene, including Justin Broadrick (Napalm Death, Godflesh, Final), Nicholas Bullen (Napalm Death), Stig C. Miller (Amebix), Steve Charlesworth (Heresy), Steve Watson (Cerebral Fix), Mark Freeth (Ausgang) and more musicians and fans who made the Mermaid a vital place for underground music.
Music heritage is all about the stories we tell around these little scenes, shining a torch on underground histories that could otherwise be forgotten in a haze of scrumpy and mushrooms.
Created by Home of Metal, presented by Sarah Lafford, produced by Alice Rosenthal.
Hosted on Acast. See acast.com/privacy for more information.
In this episode we learn more about The Mermaid - how it was a hub for some groups - and the political background of 1980s Birmingham. The Mermaid was a hub for alternative thinking aswell as music, and is seen by many as the birthplace of grindcore. To create this podcast, we interviewed people who were part of the Mermaid scene, including Justin Broadrick (Napalm Death, Godflesh, Final), Nicholas Bullen (Napalm Death), Stig C. Miller (Amebix), Steve Charlesworth (Heresy), Steve Watson (Cerebral Fix), Mark Freeth (Ausgang) and more musicians and fans who made the Mermaid a vital place for underground music.
Music heritage is all about the stories we tell around these little scenes, shining a torch on underground histories that could otherwise be forgotten in a haze of scrumpy and mushrooms.
Created by Home of Metal, presented by Sarah Lafford, produced by Alice Rosenthal.
Hosted on Acast. See acast.com/privacy for more information.
In this episode we're introduced to The Mermaid, a large dilapidated pub in Sparkhill, in Birmingham. In the 1980s it was a hub for alternative music, and is seen by many as the birthplace of grindcore. To create this podcast, we interviewed people who were part of the Mermaid scene, including Justin Broadrick (Napalm Death, Godflesh, Final), Nicholas Bullen (Napalm Death), Stig C. Miller (Amebix), Steve Charlesworth (Heresy), Steve Watson (Cerebral Fix), Mark Freeth (Ausgang) and more musicians and fans who made the Mermaid a vital place for underground music.
Music heritage is all about the stories we tell around these little scenes, shining a torch on underground histories that could otherwise be forgotten in a haze of scrumpy and mushrooms.
Created by Home of Metal, presented by Sarah Lafford, produced by Alice Rosenthal.
Hosted on Acast. See acast.com/privacy for more information.
Home of Metal presents 'At The Mermaid'. The Mermaid was a large, dilapidated pub in Sparkhill, a working-class neighbourhood three miles south of Birmingham city centre. The laid-back landlords welcomed teenage punks, hippies and rockers to play weirdo music in the upstairs room, charging very little money for very bad cider. The Mermaid became a hub of DIY music scene in the 1980s, with £1 gigs, punk all-dayers, zine and tape swapping. It was also a site of political education for many, and hunt saboteurs gathered at the Mermaid before taking direct action.
In creating this podcast, we interviewed people who were part of the Mermaid scene, featuring contributions from Justin Broadrick (Napalm Death, Godflesh, Final), Nicholas Bullen (Napalm Death), Stig C Miller (Amebix), Steve Charlesworth (Heresy), Steve Watson (Cerebral Fix), Mark Freeth (Ausgang) and more musicians and fans who made the Mermaid a vital place for underground music.
Music heritage is all about the stories we tell around these little scenes, shining a torch on underground histories that could otherwise be forgotten in a haze of scrumpy and mushrooms.
Hosted on Acast. See acast.com/privacy for more information.
Amanda is a wife. A mother. A blogger. A Christian.
A charming, beautiful, bubbly, young woman who lives life to the fullest.
But Amanda is dying, with a secret she doesn’t want anyone to know.
She starts a blog detailing her cancer journey, and becomes an inspiration, touching and
captivating her local community as well as followers all over the world.
Until one day investigative producer Nancy gets an anonymous tip telling her to look at Amanda’s
blog, setting Nancy on an unimaginable road to uncover Amanda’s secret.
Award winning journalist Charlie Webster explores this unbelievable and bizarre, but
all-too-real tale, of a woman from San Jose, California whose secret ripped a family apart and
left a community in shock.
Scamanda is the true story of a woman whose own words held the key to her secret.
New episodes every Monday.
Follow Scamanda on Apple Podcasts, Spotify, or wherever you listen.
Amanda’s blog posts are read by actor Kendall Horn.
