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The Kitchen Sisters Present
The Kitchen Sisters Present

The Kitchen Sisters Present

The Kitchen Sisters Present… Stories from the b-side of history. Lost recordings, hidden worlds, people possessed by a sound, a vision, a mission. The episodes tell deeply layered stories, lush with interviews, field recordings and music. From powerhouse NPR producers The Kitchen Sisters (The Keepers, Hidden Kitchens, The Hidden World of Girls, The Sonic Memorial Project, Lost & Found Sound, and Fugitive Waves). "The Kitchen Sisters have done some of best radio stories ever broadcast" —Ira Glass. <a href="http://www.kitchensisters.org/present/" rel="nofollow" target="_blank">The Kitchen Sisters Present</a> is produced in collaboration with Nathan Dalton and Brandi Howell and mixed by Jim McKee. A proud member of Radiotopia, from PRX. Learn more at <a href="http://radiotopia.fm/" rel="nofollow" target="_blank">radiotopia.fm</a>.</p>

Available Episodes 10

In this episode, we borrow a cup of sound from the podcast, What You’re Eating, a production of FoodPrint.org, hosted by Jerusha Klemperer. In the episode, “Coffee: From Seed to Cup,” Jerusha interviewed coffee entrepreneur Bartholomew Jones, who co-founded CxffeeBlack, a "multimedia coffee educational company," with his wife Renata Henderson in Memphis, Tennessee in 2018.

Bartholomew is an educator, an MC, a “coffee nerd,” and an amazing storyteller.

Today, The Kitchen Sisters Present… Make Coffee Black Again, a co-production with What You’re Eating.

You can hear the entire episode, “Coffee: From Seed to Cup” at foodprint.org/what-youre-eating or by searching for What You’re Eating on your podcast app of choice.

The Kitchen Sisters Present is produced by The Kitchen Sisters, Nikki Silva and Davia Nelson, with Brandi Howell and Nathan Dalton. We’re part of Radiotopia from PRX, a curated network of some of the best podcasts out there. Thanks for listening.

Since the start of the pandemic, more than 90 colleges have merged or closed permanently. One of these schools, Lincoln College, closed its doors with only about one month’s notice in May of 2022 — after 157 years. Due to the pandemic and a ransomware attack, administrators say the school was unable to retain, recruit, or fundraise. Since then, students have been left scrambling and many have dropped out.

Alan Jinich and Max Strickberger, recent graduates of the University of Pennsylvania and producers of the Generation Pandemic Project about the impact of Covid on young people around the country, set out to follow this story last year.

Lincoln College was a small private college in central Illinois — the only school named after Abraham Lincoln in his lifetime. But instead of attracting local students, the school drew many from three hours north: Chicago’s south and west sides. More than 40% were first generation college students and, even though the town is 95% white, the university was a Predominantly Black Institution. Students, alumni, and faculty described the community as deeply closeknit and, for many, a “second chance.” For some, it was also a refuge from gun violence.

After the sudden closure announcement, dozens of students confronted President David Gerlach expressing grief, frustration, and concern over what might happen to those who didn’t have a safe home to return to. It was the start of a fundraising predicament that drove a wedge between students’ grassroots efforts and administrators. How much money is enough to stay open? What’s at stake for Lincoln’s brittle economy? We follow voices from across the community — professors, administrators, locals, students dispersed across the Midwest, and a member of Lincoln’s last graduating class. More than a year after closing, many continue to reel. The campus is still up for sale, but a new vision for Lincoln may soon be on the horizon.

Produced by Alan Jinich and Max Strickberger with soundtracks by Reed Rosenbluth and support from the Sachs Program for Arts Innovation. A special thank you to Pati and Danny Jinich for their endless support (and SUV), Deborah and Adam Strickberger for their lifelong role modeling, and for all those who helped along the way: Ron Keller, Tim Rivera, Ms. Linda, Aundrae Williams, Jaylah Bolden, Spencer Davis, David Gerlach, Scott Raper, Seth Goodman, Aaron Butler, David Upchurch, Julia Figueroa, Klaudia Blaszcyk, Dougie Barron, and the Rose family. Thanks also to Nikki Silva and The Kitchen Sisters (and The Kitchen Sisters thank these young producers!)

You can follow more of Alan and Max’s work at www.generationpandemicproject.com or on instagram @generationpandemic_

The Kitchen Sisters Present is produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) with Brandi Howell and Nathan Dalton. We’re part of Radiotopia from PRX, a curated network of some of the best podcasts out there.

Visit kitchensisters.org for more stories and info about upcoming events — like our annual Bowling with Grace Party and fundraiser at Mission Bowling Club, San Francisco, October 28, 2023, with celebrity guest bowlers Boz Scaggs, Alice Waters, Samin Nostrat, Roman Mars, Roman Coppola, Wendy MacNaughton, Song Exploder’s Hrishikesh Hirway, KQED’s Alexis Madrigal, Ear Hustle’s Nigel Poor & Earlonne Woods, Rebecca Solnit… and so many more.

Filmmaker Wim Wenders premiered two new films at Cannes this year — Anselm, a 3-D, cutting edge documentary about the contemporary German painter and sculptor Anselm Kiefer, and Perfect Days, a quiet, meditative film about a toilet cleaner in Kyoto who who drives from job to job, listening to music on cassettes — Patti Smith, the Kinks, Lou Reed…

Ernst Wilhelm “Wim” Wenders, filmmaker, playwright, author, photographer, is a major figure in New German Cinema and global cinema. His films include Paris, Texas, Wings of Desire, The American Friend, Alice in the Cities, Kings of the Road, Buena Vista Social Club, Pope Francis: A Man of His Word, Pina, Until the End of the World, and many more.

In honor of Wim and his extraordinary work, this story, from our Keepers series chronicles the filmmaker’s life and inspirations. In our interview with Wim he told us about the impact Henri Langlois and the Cinémathèque Française had on his own filmmaking, about Lotte Eisner, Werner Herzog, and much more.

Produced by Vika Aronson and The Kitchen Sisters. Mixed by Jim McKee.

Special thanks to Tom Luddy, Robb Moss, Homi Bhabha, Haden Guest, Sophia Hoffinger, Brandi Howell and Nathan Dalton. And most of all, to Wim Wenders who has inspired us across the years.

When Lena Richard cooked her first chicken on television, she beat Julia Child to the screen by over a decade. At a time when most African American women cooks worked behind swinging kitchen doors, Richard claimed her place as a culinary authority, broadcasting in the living rooms of New Orleans’s elite white families. She was an entrepreneur, educator, author, and an icon—and her legacy lives on in her recipes.

Produced by Sidedoor: A Podcast from the Smithsonian.

Special thanks to producer Lizzie Peabody and the Smithsonian for sharing this story with The Kitchen Sisters Present.

The Kitchen Sisters Present is produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) with Brandi Howell and Nathan Dalton. We are part of Radiotopia from PRX, a curated network of podcasts created by independent producers—some of the best storytelling out there.

We delve into the story of the founding of the Hiphop Archive and Research Institute at Harvard by Dr. Marcyliena Morgan, Professor of African and African American Studies and Professor Henry Louis Gates to “facilitate and encourage the pursuit of knowledge, art, culture, scholarship and responsible leadership through Hiphop.”

You’ll hear from Professor Morgan, Professor Gates, Nas, Nas Fellow Patrick Douthit aka 9th Wonder, The Hiphop Fellows working at the Archive, an array of Harvard archivists, and students studying at the Archive as well as the records, music and voices being preserved there.

And we take a look at the Cornell University Hip Hop Collection, founded in 2007, through a sampling of stories from Assistant Curator Jeff Ortiz, Johan Kugelberg author of “Born in the Bronx,” and hip hop pioneers Grandmaster Caz, Pebblee Poo, Roxanne Shante and more.

This episode is part of The Kitchen Sisters’ series THE KEEPERS—stories of activist archivists, rogue librarians, curators, collectors and historians—keepers of the culture and the cultures and collections they keep.

It was top secret. But everyone in Santa Fe knew there was something going on up on the hill in the remote, desert mountains of Los Alamos in 1943. J. Robert Oppenheimer and dozens of the top scientists and thinkers in the world were sequestered away up there — fenced in, with military guard towers all around. But there was one little sanctuary down along the river where they could escape and find solace, nature, normalcy — Edith Warner’s Tea Room.

Edith Warner’s small, rustic home and her legendary chocolate cake brought solace to members of the Manhattan Project as they secretly worked to build the atomic bomb — reshaping the future of modern warfare. When they weren’t at the lab, there was a good chance that Robert Oppenheimer and his colleagues were at Edith’s tea room, savoring the fresh vegetables she grew in her garden and the chance to disconnect from the unimaginable weight of their task. Through Edith’s eyes and the civilian bystanders who witnessed this extraordinary effort we see these souls in their last mundane moments before man and god bled together forever.

Produced by Brandi Howell, Mary Franklin Harvin, and Zoe Kurland

Special thanks to Jon Else, Meridel Rubenstein, Patty Templeton, Nick Lewis, Steven Horak from the Los Alamos National Lab, to Sharon Snyder and the staff of the Los Alamos Historical Society, Ellen Bradbury Reid, and Paul Rainbird.

The Kitchen Sisters Present, part of PRX’s Radiotopia, is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Brandi Howell and Nathan Dalton.

In 1981, The Kitchen Sisters interviewed filmmaker Jon Else about his Academy Award nominated documentary, The Day After Trinity, a deeply moving film about J. Robert Oppenheimer and the dramatic story of the creation of the atomic bomb.

The film, now showing on the Criterion channel, traces Oppenheimer’s evolution from the architect of the bomb to an outspoken opponent of nuclear proliferation. The documentary features honest and insightful Interviews with Robert’s brother Frank Oppenheimer, several scientists who worked in secret in the isolated high mountains of New Mexico building the bomb, and farmers and ranchers who were displaced by the military and the 6,000 people who descended on the region during the 1940s.

Today, the horrifying threat of the escalation of atomic weapons continues. Recently Belarusian President Lukashenko offered nuclear weapons to any country willing to side with Russia in its war against Ukraine. And interest in the history of the bomb and how we got to this place is on the rise. This summer Christopher Nolan’s new biopic about Robert Oppenheimer is hitting IMAX theaters around the country and the Criterion channel is featuring The Day after Trinity.

Today, from the Archives, The Kitchen Sisters Present one of our first interviews—a conversation with filmmaker John Else about the making of his extraordinary documentary, The Day After Trinity: J. Robert Oppenheimer and the Atomic Bomb.

Behind the scenes at the International Congress of Youth Voices when 131 youth activists,13 to 26 years old, from 37 countries — students, writers, poets, marchers, community leaders all gathered together in San Juan, Puerto Rico in 2019, to share and amplify their ideas and energy — to brainstorm possibilities for how to achieve a better world.

The International Congress of Youth Voices, founded by author Dave Eggers (co-founder of 826 National) and nonprofit leader Amanda Uhle, gathers the world's most inspiring teen writers and activists. They come from all over the world, including Iraq, Syria, Afghanistan, the United States, Colombia, Guatemala, Cuba, Australia, Denmark, Nepal, Russia, England, Thailand, South Africa, Ireland, Canada, Uganda, Pakistan, Burundi, France, India, and Puerto Rico.

Student delegates are chosen based on their commitment to leadership and social justice and their passion and eloquence as writers. The event is designed to provide a path to leadership for all delegates and represents a continuum from students who have exhibited potential in local writing and tutoring programs to writers and activists who have already made notable achievements at a very young age.

Produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Nathan Dalton, Brandi Howell, Rachel Templeton & Teddy Alexander. Mixed by Jim McKee. Story Intern: Jonathan Hsieh. Special thanks to Dave Eggers & Amanda Uhle and to all the delegates from around the country and around the world who came to Puerto Rico and shared their stories with us.

The Kitchen Sisters Present is part of the Radiotopia podcast network from PRX.

Funding for work of The Kitchen Sisters comes from The National Endowment for the Humanities, The National Endowment for the Arts, The Robert Sillins Family Foundation, The TRA Fund supporting our Intern Program, and Listener Contributions to The Kitchen Sisters Productions.

Born in 1895 in Lynchburg, VA, Amaza Lee Meredith was an African American architect, artist and educator who taught at Virginia State College where she founded the art department. Despite the fact she was never a registered architect, she was one of the few Black architects practicing at the time, and one of the country's very few Black women architects.

In 1939, Amaza designed Azurest South, a tidy white International Style house on the edge of the Virginia State University Campus, where she and her life-long partner Edna Meade Colson lived. Both women maintained significant teaching positions at the University, living openly queer lives.

In 1947 Amaza and her sister Maude began developing Azurest North, a 120 lot subdivision and vacation destination for middle class African Americans in Sag Harbor, New York, near the summer haunts of Melville, Steinbeck, Betty Friedan, Spaulding Gray. During the 1950s & 60s the community grew as a Black vacation spot attracting celebrities like Lena Horne and Harry Belafonte.

Together, the homes and communities that Amaza Lee Meredith helped establish provided a sense of joy, pleasure, and a safe haven for members of the Black community, at a time when this wasn’t always possible.

This episode explores the intersections of sexuality, modernity, art, architecture, and the faith community that nurtured this pair of lovers. Amaza and Edna found their home in each other and shared it openly with their church, their colleagues and their students.

Special thanks to host Cynthia Kracauer, writers Jacqueline Taylor and Jessica Lynne, and to Brooke Williams who graciously provided Sag Harbor resident insights, as did advocates and preservationists Georgette Grier-Key, Michael Butler, and Renee Simons. And to Reverend Grady Powell and Reverend Dr.  George WC Lyons from Gillfield Baptist Church in Petersburg, Virginia. Franklin Johnson-Norwood is the Director of Alumni Relations at Virginia State University, and our excellent tour guide for Azurest South, and to Christina Morris of the National Trust for Historic Preservation.

This episode was produced by Brandi Howell for the podcast New Angle Voice, a presentation of the Beverly Willis Architecture Foundation. Editorial advising from Alexandra Lange and assistance from Virginia Eskridge. Funding provided by the National Endowment for the Humanities, the National Endowment for the Arts and the Graham Foundation. Take a look at the illustrated Amaza Lee Meredith profile on the Pioneering Women of Architecture website.

The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Brandi Howell and Nathan Dalton. Funding for these programs comes from The National Endowment for the Arts, the Kaleta Doolin Foundation, and contributors to the non profit Kitchen Sisters Productions.

The Kitchen Sisters Present is part of the Radiotopia Network from PRX.

In 1983 Prince hired LA sound technician Susan Rogers, one of the few women in the industry, to move to Minneapolis and help upgrade his home recording studio as he began work on the album and the movie Purple Rain. Susan, a trained technician with no sound engineering experience became the engineer of Purple Rain, Parade, Sign o’ the Times, and all that Prince recorded for the next four years.

For those four years, and almost every year after, Prince recorded at least a song a day and they worked together for 24 hours, 36 hours, 96 hours at a stretch, layering and perfecting his music and his hot funky sound.

In celebration of Prince’s birthday The Kitchen Sisters reprise “Prince & The Technician.”

An award winning professor of cognitive neuroscience and a legendary record producer, Susan Rogers has recently written a book, “This is What It Sounds Like," one of Behavioral Scientist’s Notable Books of 2022. It’s a journey into the science and soul of music that reveals the secrets of why your favorite songs move you.

The Kitchen Sisters Present is produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) with Nathan Dalton and Brandi Howell. Part of Radiotopia from PRX, a curated network of independent producers — some of the best podcasts out there. Find out more at kitchensisters.org.